David sees no difference between spending a month fleshing out a story arc in a feature film or turning around an offline cut for a 30 second spot in a day. He’s adept at both and loves the art, the craft, and the hyper-focus of editing. He is also genre agnostic. Equally at home with a high action, testosterone-filled car commercial or a humorous soft-drink spot with a giant CGI monster destroying a city.